There are many actor/director pairs out there that seem to have the ability to work together to create great films time and time again: Johnny Depp and Tim Burton, Martin Scorcese and Leonardo Dicaprio, Mel Brooks and Gene Wilder. After seeing The Heat last night, I am starting to believe that Melissa McCarthy and Paul Feig may be another one of those pairs.
The basic outline of this film is a pretty classic one. You have the straight edge, goody two shoe FBI agent Sarah Ashburn (Sandra Bullock) and then you have the fly by the seat of her pants, break all the rules, rough and tough cop Shannon Mullins (Melissa McCarthy). Both Mullins and Ashburn have trouble getting along with their peers and their superiors, Ashburn because she is arrogant and has almost no social skills and Mullins because she refuses to follow orders and does whatever she wants. When Ashburn is sent to Boston to hunt down a Russian Mobster, Ashburn and Mullins are forced to work together to take the Mobster down.
As I said before, the general plot and amusement of this film is a pretty classic story. When the two women first meet, they immediately don’t get along and try to get in each other’s way. They finally, and begrudgingly, realize that they may be able to help one another to solve a case that they both want solved. Don’t get too mad at me for saying this; I am usually not a Sandra Bullock fan but she was absolutely hysterical in this film. The chemistry between Bullock and McCarthy was perfect, both women hitting every comical line in the script with ease and skill.
Beyond the two main characters, the film is filled with crazy characters and cameos. One of my favorite groups of side characters is Mullin’s insane family, including Michael Rapaport as one of her three brothers and Jane Curtin as her mother. Marlon Wayans plays the Boston FBI agent that was supposed to help Ashburn who slowly but surely became a love interest for the antisocial Ashburn.
This was one of the funniest films I have seen in theaters for months. The Heat is rated R and it is certainly rated R for a reason. The main reason that the film is rated R is due to language, most of which comes from McCarthy. The end of the film does have a surprising amount of violence in it as well. This was a B+ film for me. After seeing it I can not wait to see what Paul Feig and Melissa McCarthy do next time they team up together.
Now, before all you readers out there scoff at me and wonder how someone can call themselves an entertainment editor if they haven’t seen the Departed, which by the way is a very rude thing to do, I HAVE seen the Departed. My goal while writing these Best Picture posts is not to watch all of the Best Picture winners I haven’t seen but to watch and review every Best Picture winner. That means I am re-watching the ones that I have already seen and I am glad I decided to do so. I forgot what an outstanding movie The Departed is until I watched it again, remembering why it earned director Martin Scorsese his first Best Director win.
Another film with a fairly complex plot that can be stripped down and explain at its most basic in a paragraph. Ultimately the story revolves around two men, both going undercover and eventually tasked to find one another. The film takes place in Boston crime scene which is run by the Irish-American mobster Frank Costello (Jack Nicholson). The film opens with Costello enlisting the help of a young boy, obviously meaning to take the boy under his wing. The film then jumps into the future showing the boy, Colin Sullivan (Matt Damon), graduating from the Police Academy. Graduating opposite Sullivan is Billy Costigan (Leonardo DiCaprio), a young man who grew up in a world of crime and has decided to try and change his fate. Sullivan eventually gets accepted into the Special Investigations Unit, where he acts as a mole for Frank Costello. Quickly flagged by Captain Queenan (Martin Sheen) and Staff Sergeant Dignam (Mark Wahlberg) as a man comfortable around crime, they enlist Costigan to infiltrate Costello’s operation as an undercover agent. As both Costigan and Sullivan delve deeper and deeper into their own fake identities, they are each giving opposite tasks. First Sullivan is just to be Costello’s eyes and ears in the police force and Costigan is tasked to try and bring down Costello’s operation from the inside. As both make mistakes and suspicions arise, Costigan is eventually asked to find the rat in the police force while Sullivan is ordered to find the rat in Costello’s gang. The two end up having to hunt each other.
While watching this film, I found it absolutely impossible to pick a best performance. Each time I had decided on an actor, another stepped on screen to change my mind. No matter how big or small the role, everybody came ready to prove their brilliance. Martin Sheen and Alec Baldwin fit in perfectly as the head of the local undercover unit and head of an FBI task force respectively. Wahlberg played alongside Sheen, a ruthless asshole helping run Costigan’s undercover mission. Vera Farmiga stars as one of the only main, female characters in the film, playing the psychiatrist Madolyn. While Sullivan meets Madolyn one day in the elevator and the two start a long relationship together, Costigan is assigned to talk to Madolyn as a part of his fake firing so he could go undercover. The two eventually form an oddly inappropriate relationship that leads to Madoyln remaining in both the main character’s lives.
The three main characters of the film command the screen with the skill expected of such veteran actors. Nicholson embodies the rough and tough gangster, giving the man an almost bipolar personality. Controlling a gang of rough and tough mobsters, played by an intimitading crew of actors, Costello can be happy one moment and the next be brutally torturing a member of his crew. Damon and DiCaprio mirror each other perfectly through the film, playing two spies doing the same task for different sides. While Costigan begins in chaos, fighting through it to get a foothold in Costello’s gang, Damen seems to be perfectly in control in the film’s start. Costigan harnesses the increasing chaos around him to allow him to survive his time undercover while Damen’s loses his calm composure and lets his job and life spiral wildly out of control.
The Departed didn’t just win the 2006 Oscar for Best Motion Picture, it also delivered Scorsese his first win for Best Director. Already nominated for Raging Bull, The Last Temptation of Christ, Goodfellas, Gangs of New York and the Aviator, Scorsese finally beat out his competition and earned the well-deserved win. The Departed had to battle a number of different great films for title of best picture. Beating out Babel, Letters from Iwo Jima, Little Miss Sunshine and the Queen, I can honestly say that the Departed deserved the win in 2006. With amazing performances and a soundtrack to die for, I give this Best Picture Winner a 10 out 10 and, if you can stomach a fair amount of brutal violence, would recommend it to any movie lover.